The Latest

gothiccharmschool:

Self, stock up on plastic Jack o’ Lanterns to hang in Audrey II the feral rosebush.
Oct 1, 2014 / 2,789 notes

gothiccharmschool:

Self, stock up on plastic Jack o’ Lanterns to hang in Audrey II the feral rosebush.

Oct 1, 2014 / 2,317 notes

"Girl Shy" (1924)
Sep 29, 2014 / 3,635 notes

"Girl Shy" (1924)

(via pollums)

Sep 29, 2014 / 5,584 notes

(via pollums)

Sep 28, 2014 / 83,501 notes
Sep 28, 2014 / 60,977 notes

(via dinosaurgy)

christopherschreck:

painting by Jonas Wood, featuring pots by Shio Kusaka
Sep 28, 2014 / 1,148 notes

christopherschreck:

painting by Jonas Wood, featuring pots by Shio Kusaka

(via thebmancollective)

Sep 28, 2014 / 368 notes
johndarnielle:

dubdobdee:

woohoo! i mean woooo! woooo! 
danskjavlarna:

"By the sheen of the foam I beheld two skelingtons sitting in their coffins."  From The Story Hunter or Tales of the Weird and Wild by Ernest Richard Suffling, 1896.


I Am The Waving Skeleton
Sep 28, 2014 / 7,275 notes

johndarnielle:

dubdobdee:

woohoo! i mean woooo! woooo! 

danskjavlarna:

"By the sheen of the foam I beheld two skelingtons sitting in their coffins."  From The Story Hunter or Tales of the Weird and Wild by Ernest Richard Suffling, 1896.

I Am The Waving Skeleton

Sep 28, 2014 / 1,482 notes
thesingingcanary:

Duplicity (2014)
Handmade collage, from C-print. 29x32cm. Framed
www.dojo.electrickettle.fr
Sep 28, 2014 / 2,807 notes

thesingingcanary:

Duplicity (2014)

Handmade collage, from C-print. 29x32cm. Framed

www.dojo.electrickettle.fr

(via saintguadalupe)

Sep 28, 2014 / 12,600 notes

ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio

Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).

(via matthewgaydos)